Premijera Opening night:
HNK Split, Mala scena, 18. 04. 2006. u 22h
Prijevod Translate:
Belmondo
Miliša
Redatelj
Directed by:
Borna Armanini
Igraju
Cast:
Jack:
Nikola Ivošević / Brendan: Vicko Bilandžić
/ Jim:
Nenad Srdelić
Finbar: Trpimir Jurkić
/ Valerie:
Bruna Bebić
Tudor
Režija
Directed
by: Borna Armanini / Scenografija Set
design: Vesna Režić / Scenska
glazba
Music: The
Skelligs / Kostimografija
Costume design:
Naida Kromić / Oblikovanje svjetla Light
design: Miroslav Mamić /
Oblikovanje zvuka Sound design:
Damir Punda / Inspicijent Stage
manager: Zlata
Kovačić
Conor
McPherson
BRANA >
Redatelj: Borna Armanini > U
jednom baru u ruralnoj Irskoj četiri mještana, želeći impresionirati
ženu koja je došla iz grada, prepričavaju mistične i jezive događaje
iz mjesta, osobito iz kuće u kojoj je žena odsjela. Lakoću kojom oni
prelaze preko nelagode i straha što raste u njoj, prekida njezina priča,
intimnija i manje površna od njihovih. A onda se sve promijeni, i
lakomisleni dečki postaju njezini supatnici, a nehajnu superiornost
zamjenjuje duboko suosjećanje. Drama je to o nepodnošljivoj površnosti
kojom pristupamo drugim ljudima i sudimo ih prema predrasudama što smo ih
sami stvorili. McPherson je jedan od onih autora koji se ne povode za
modom, njega ne zanima srozavanje čovjeka na bestijalnost pod krinkom
nesputane slobode. On se usuđuje reći da je dodir, pravi, ljudski,
itekako moguć - ako mu damo priliku. Drama Brana praizvedena je u
londonskom kazalištu Royal Court godine 1999. i doživjela je velik
uspjeh, kako u Europi, tako i na Broadwayu. Splitska predstava hrvatska je
praizvedba ovog komada.
Conor
McPherson > THE WEIR >
Director: Borna Armanini >
In a small bar in rural
Ireland, four locals, wishing to impress a woman who arrived from town,
tell ghostly and horrible local events, chiefly of the house where the
woman has stayed. Ease by which they pass over discomfort and fear growing
in the woman is interrupted by her story, more intimate and less
superficial than theirs. Then everything is changed, and reckless young
men become her fellow sufferers, while indifferent superiority is replaced
by deep sympathy. This is a drama of unbearable superficiality toward
other people whom we judge by our own prejudices. McPherson belongs to
those authors who do not follow fashion; he is not interested in the
degradation of man to bestiality in the guise of unrestrained freedom. He
dares say that a real touch, the human one, is possible – if we give it
a chance. Drama “The Weir” was first performed at London Royal Court
Theatre in 1999 and had great success both in Europe and Broadway. The
Split performance is its Croatian première.
|