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Hristo Bojčev: Pukovnik Ptica

Redateljica Directed by:
Nenni Delmestre

Premijera
Opening night:
HNK Split, 21. 10. 2005. u 20h


Igraju Cast: Doktor: Elvis Bošnjak / Fetisov: Ante Čedo Martinić / Hačo: Robert: Kurbaša / Matej Neno Srdelić / Kiro: Vicko Bilandžić / Daud: Trpimir Jurkić / Pepa: Tajana Jovanović

Prijevod s bugarskog Translation: Borislav Pavlovski / Režija Directed by: Nenni Delmestre / Scenografija Set design: Ivo Knezović / Kostimografija Costume design: Danica Dedijer / Glazba i asistencija režije Music and director assistant: Lina Vengoechea / Koreografija Choreography: Valentina Turcu / Oblikovanje svjetla Light design: Zoran Mihanović / Video art: Nenad Glavan / Inspicijent Prompter: Neda Utrobičić


Hristo Bojčev PUKOVNIK PTICA > Redateljica: Nenni Delmestre > Pukovnik Ptica bugarskog pisca Hriste Bojčeva, satirički je komad u kojemu šestoro luđaka ustroje vojnu jedinicu, državu, te se pokušaju samovoljno priključiti NATO savezu i Europskoj Uniji, ali kad stignu u srce Europe ona ih tretira kao prosjake. Komad problematizira maćehinski odnos EU prema zemljama na Balkanu, ali i naivnu percepciju koja u tom odnosu stoji s druge strane. Kao u svakom dobrom komadu, Bojčev se politike dodiruje tek usput, pa nam nudi i niz drugih sasvim ljudskih pitanja. Njegovi luđaci "normalnima" postaju tek kad svom životu daju određenu formu i pred sebe postave neki društveno čitljiv cilj. Ova crna komedija, jedan je od najigranijih i najnagrađivanijih tekstova proizašlih proteklog desetljeća iz istočne Europe, a splitska predstava biti će ujedno i hrvatska praizvedba.


Hristo Boytchev THE COLONEL BIRD > Directed by Nenni Delmestre > The Colonel Bird is a satirical play by Bulgarian author Hristo Boytchev, in which six lunatics form a military unit, a state, wilfully trying to join the NATO and the European Union. When they arrive in the heart of Europe, they are treated like beggars. This play argues about a harsh treatment given to the Balkan countries by the EU, but also a naïve perception on the other side of that relationship. As in every good play, Boytchev makes only a passing reference to politics, offering a number of other quite human issues. His lunatics become “normal” only when they give certain shape to their lives setting themselves a socially clear aim. This dark comedy is one of the most performed and most rewarded scripts from Eastern Europe in the last decade. The performance in Split is its Croatian première.