HARI
ZLODRE
rođen
je 1967. godine u Splitu, gdje je završio srednju glazbenu školu na
odsjeku za glasovir, a prve poduke iz dirigiranja uzima kod prof. Lea
Anića. Studij dirigiranja završio je 1993. godine u klasi prof. Igora
Gjadrova na Muzičkoj akademiji u Zagrebu. Za rad i uspjehe tijekom
studija iste je godine dobio Rektorsku nagradu Sveučilišta u Zagrebu.
U Hrvatskom narodnom kazalištu u Splitu djeluje od 1992. u početku kao
zborovođa i asistent dirigenta, da bi u sezoni 1993/94. i premijerno
ravnao izvedbama Teute, Rigoletta, Đavola u selu, te operom Traviata u
produkciji HNK Split diplomirao dirigiranje. U narednim sezonama Zlodre
dirigira brojnim koncertima i opernim naslovima, a uz dirigentske obveze
vodi Zbor HNK Split te predaje "studij opernih uloga" na
splitskom područnom odjeljenju Muzičke akademije iz Zagreba. Od sezone
2000/01 Hari Zlodre Ravnatelj je Opere HNK Split, a od 2003. godine i
Ravnatelj glazbenog programa Splitskog ljeta. To razdoblje
karakterizirano je ujedno i novim dirigentskim uspjesima među koje
svakako treba uvrstiti ravnanje Normom s ovogodišnjeg Splitskog ljeta,
Aidom na 49. splitskom ljetu, ili u sezoni Puccinijevom Toscom (2002),
Massenetovim Wertherom (2003), Verdijevom Traviatom (2004), kao i
brojnim komornim i simfonijskim koncertnim naslovima.
HARI
ZLODRE - conductor was
born in 1967. in Split, Croatia where he has finished Medium musical
school. He studied conducting from 1988. till 1992. on Conservatory of
Zagreb in the class of prof. Igor Gjadrov. During studing he conducted
on various conservatory's productions, and also lead some amateurish
choirs in Zagreb.
He graduated in 1992 with La Traviata (G. Verdi) in Croatian
National Theatre in Split, for which conducting he received rector's
award for the best student work in the university year 1992/93. At the
end of 1992 started conducting in Opera of Croatian National Theatre in
Split where beside "La Traviata" he conducted a new production
of ballet "Teuta" (B. Papandopulo). Next season he
conducted two new productions: "Rigoletto" (G. Verdi)
and ballet "Devil in the village" (F. Lhotka).
During season 1992/93 he conducted about twenty productions of above
titles, and at the end of season a symphonic concert "Young
musicians of Split". At the beginning of the 94/95 season he
started to lead the CNT Split Opera's choir preparing it for all operas,
concerts and oratories on repertoire. He has also been preparing new
productions for guest conductors such as: Niksa Bareza, Pavle Despalj,
Igor Gjadrov, Vjekoslav Sutej, Antonio Pirolli, Ricardo Capasso, etc. So
an intense cooperation with Mo Niksa Bareza in all his opera
projects in CNT Split and on Split Summer festival. Some titles from
that period: "Il Trovatore" (G. Verdi), "Mila
Gojsalica" (J. Gotovac), "La Boheme" (G.
Puccini), "Carmen" (G. Bizet), "Little Floramye"
(I. Tijardović), "Aida" (G. Verdi), "Stanac"
(J. Gotovac).
In the season 1994/95 he conducted the premiere of the ballet "Giselle"
(A. Adam) which has not been performed for about twenty years in opera
of Split, and also started the series of Christmas concerts.
In 1996 Mo Zlodre he started to lecture "Study of
opera's role" to the students of Musical Academy in Split, Zagreb
University. In the same year he conducted "Gianni Schicchi"
(G. Puccini) and "Carmina burana" (C. Orff). He also conducted
a concert Symphonic Orchestra of Mostar on their tour in Northern
Italy..
In 1997. Mo Zlodre became a guest conductor of Croatian Navy
Orchestra with which he performed the works of R. Wagner, E. Grieg, J.
S. Bach etc. In the seasons 96/97, 97/98 he conducted several titles
among which: "I Lombardi" (G. Verdi), "Falstaff"
(G. Verdi), "Sleeping Beauty" (P. Tchaikovsky), "Turandot"
(G. Puccini), Symphonic concert "Amadeus", "Bodas de
sangre" (M. Krstičević), Easter concert. In the season 98/99 he
assisted to Mo Bareza in the first-night of "Il Turco
in Italy" (G. Rossini) and "Orpheus in the Underworld"
(J. Offenbach). At the end of 1999 he conducted Christmas concert
together with maestro Riccardo Capasso, and at the opening of Split
Summer Festival 2000 assisted to Mo Bareza in opera "Judita"
(Croatian contemporary composer Frano Parać), which he later conducted
several times, and also in Zagreb for the opening of Musical Biennale on
20 April 2001. In the season 2000/01 he conducted on the first-night of
musical "My Fair Lady" (F. Loewe) performed by English
singers from Dover, and also on the first-night of musical
"Joseph
and the Amazing Tehnicolor Dreamcoat" (A. L. Webber) in the
season 2002/03. In the year 2000 he became the manager of Opera in
Croatian national Theatre in Split.
REPERTORY
CONCERT |
OPERA |
MUSICAL
/ OPERETA |
BALLET |
W.
A. Mozart:
Requiem
Syphony no 35, 38, 39, 40, 41
G. Rossini:
Stabat mater
G. Verdi:
Requiem
A. Dvorak:
Stabat mater
C. Saint Saens:
Requiem
L van Beethoven:
Syphony no 1, 2, 3, 5
J. Brahms:
Ein Deutsches Requiem
G. Mahler:
Syphony no 2, 4 |
G.
Rossini:
Il barbiere di Siviglia
Il Turco di Italia
G. Verdi:
Attila
I Lombardi
Rigoletto
La Traviata
Il Trovatore
Falstaff
G. Puccini:
La Boheme
Gianni Schicchi
Turandot
G. Bizet:
Carmen
R. Strauss:
Salome
J. Offenbach:
Orpheus in the Underground
C. Orff:
Carmina burana
Croatian national opera
J. Gotovac:
Stanac
Mila Gojsalica
Ero from the other world
F. Parac:
Judita |
Musical
F. Loewe:
My Fair Lady
A. L. Webber:
Joseph and the Amazing Tehnicolor Dreamcoat
M. Krsticevic:
Bodas de Sangre
Opereta
I. Tijardovic:
Little Floramye
The Aquarelle of Split |
A.
Adam:
Giselle
F. Lhotka:
The Devil in the village
P. Tschaikowsky:
The Sleeping Beauty
B. Papandopulo:
Teuta |
|